The BBC reports that Matador Victor Barrio has been killed by a bull in Spain.
The bull fighting community is reported to be “distressed and very moved” by his death and Spain’s Prime Minister, Mariano Rajoy has expressed his condolences.
While his death, any death, is tragic and my heart goes out to his grieving family, I’m personally finding it hard to feel too sorry for Victor Barrio. After all, he died doing something he loved which is better than ending your days eating mashed potato and watching endless repeats of Eastenders. I don’t fear the Reaper and when he calls, as call he must, I hope I am similarly engaged in the pursuit of something I love.
But there’s another reason why I’m finding it hard to feel too sorry for Mr Barrio. Lovers of bullfighting defend it as an ancient art form deeply rooted in national history in much the same way as the appalling practice of bacha basi is excused as ancient custom in Afghanistan – which is no defence at all.
When the Reaper does call for me I won’t be slaughtering bulls for art or raping little boys for culture.
SPIN ZHIRA: Old Man in Helmand is the unauthorised, unvarnished and irreverent story of one man’s midlife crisis on the front line of the most dangerous district in Afghanistan where the locals haven’t forgiven the British for the occupation of 1842 or for the Russian Invasion of 1979. Of course, all infidels look the same so you can’t really tell them apart.